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The cover of this month’s Women’s Health magazine features actress Cobie Smulders (Robin from How I Met Your Mother) posing topless, with only her arms covering her bare chest. If you find that surprising for a magazine called Women’s Health, consider the May cover of Golf Digest: It boasts a similar topless-with-strategic-cover-up photo of athlete Lexi Thompson.

To be honest, I can't say these covers surprise me. Nude photos of successful women make frequent appearances in the media. Women’s Health, along with Cosmopolitan, Sports Illustrated, Maxim, and a slew of other popular magazines regularly feature sexually explicit content and imagery.

Although nude images on magazine covers have lost their power to shock, they're still a relatively recent phenomenon. The degree to which women are sexualized in magazines, in song lyrics, on television, in video games, on the Internet, in advertising, and in music videos today is unparalleled. As Dawn Hawkins, vice president of the National Center on Sexual Exploitation, describes it, “Yesterday’s pornography is today’s mainstream media.” Somehow, we have gotten to a point where a topless photo of a well-respected woman on the cover of a women’s health magazine barely raises eyebrows. Whether or not this is a positive development is a subject of much debate.

In my experience, discussion of sexuality often hits a snag when the conversation turns to how the female body is represented in the media. For starters, the issue divides feminists. On one hand, there are those who actively campaign against any censorship of the female body—saying it's not women's bodies but rather society’s tendency to objectify them that's at issue. Female sexuality ought to be celebrated, and nudity in magazines encourages open discussion that empowers women.

On the other hand, there are those, like myself, who would say that it is disingenuous to think that the naked human body can be wholly separated from its sexual aspects, and that even if it could be, I'm not sure we'd want it to be. Sexual attraction is good and serves a great purpose, and I don't think desensitizing ourselves to it does us any favors. That being the case, the recklessness with which we discuss and depict female sexuality has had serious negative consequences on society, and women in particular—not the least of which is the present day reality that basic nonsexual functions of the female body (such as breastfeeding) have been distorted to the point that mothers feel the need to hide themselves in bathrooms in order to feed their babies.

To even attempt a productive discussion about this topic, though, I must first clarify one thing: Opposing the hypersexualization of women in the media is not the same as denouncing or demonizing female sexuality. The female body is striking, beautiful, and awesome, in the most literal meaning of the word. I would not be writing this article if there were not something both incredible and formidable about female sexuality. And the fact that female sexuality is such a constant and controversial topic of discussion speaks to its magnificence.

Female sexuality, like physical strength, is powerful. But, like physical strength, it can be abused, it can be exploited, and it can be used to hurt rather than to help. Sexuality, too, has its victims, and evidence suggests that women make up a surprisingly high percentage of that total. So what are responsible media outlets to do?

Enter Victoria Hearst. Granddaughter to the famed newspaper publisher William Randolph Hearst (yes, that Hearst), Victoria raised the issue of Cosmo's hypersexualized covers and content with her family's media company years ago, with unsuccessful results.Now, Victoria has teamed up with the NCSE to launch a campaign devoted to educating people about the harmful effects of hypersexualization of women in today’s media. Ata press conference held last week, Hearst hosted a panel of experts to discuss the negative consequences of overly sexualized depictions of women, and the evidence is fairly damning.

Referencing a study from the American Psychological Association’s Task Force on the Sexualization of Girls (2010), psychiatrist Dr. Miriam Grossman, who has devoted her career to studying the impact of sexual media on youth, stated: “From a medical and psychological perspective, it is difficult to overstate the dangers to girls and young women of the lifestyle celebrated by [magazines such as] Cosmopolitan.” And she's not exaggerating. The list of negative consequences—physical, psychological, emotional, and cultural—that the APA reports is nothing short of staggering. “Ample evidence,” the report reads, “indicates that sexualization has negative effects in a variety of domains, including cognitive functioning, physical and mental health, sexuality, and attitudes.”

While it's impossible to cover all of the report's findings here, a few consequences in particular deserve attention.

First, the APA found that sexualization, a worldview heavily focused on or shaped by sex, is linked to the mental health problems most common among women, including depression, low self-esteem, and—notably—eating disorders. Several studies suggest that the media plays a large role in shaping a woman’s body image and that girls exposed to sexualizing media are more likely to experience body dissatisfaction. Given that twenty million women (and ten million men) in the U.S. have suffered from a clinically significant eating disorder, and that anorexia nervosa has the highest mortality rate of any psychiatric disorder, the connection between eating disorders and the media should not be ignored.

The Most Dengerous Raceler Girls

There are no women in the heaving crowd watching the dangal, a traditional wrestling tournament. It is being held in a large bowl-shaped clearing, surrounded by the village of Salawa, vast fields of ripe sugarcane and the Ganga canal that runs along the Doab plain of western Uttar Pradesh. The dangal has been organised by Salawa residents although the 10,000-odd spectators could be from any of the nearby 24 villages, referred to collectively as the chaubisi.

The area is brimming with men, with more arriving by foot and on packed autorickshaws and tractors. The organising committee, comprising politicians, a few holy men and police officials, sits in a tented bandstand, sipping cold drinks. Others — moustachioed old men in turbans, teens watching through smartphones — squat on the fringe of the wrestling ring. Inside a circle marked in white chalk, the men slathered in mitti — the driven earth on which kushti is fought — grapple, to the rhythm of beating dhols.

The women, meanwhile, are to be found at the mela nearby. They shop for clothes and trinkets and watch over the children. A curious few glance across the invisible gender line but stay on their side.

As far as anyone can remember, that’s how it has been. The Salawa dangal, held to mark the full moon of the lunar month of Kartik, isn’t the biggest or the richest dangal around but it is old. Perhaps not as old as the village itself, which locals reckon dates to the time of the Jain tirthankaras, but certainly older than the Ganga canal which the East India Company built in the first half of the 19th century. “The kushti would take place here when I was a boy. And my grandfather told me that it was held in his time.

In all that time, kushti has always been a man’s business,” says Thakur Vikram Singh Rathore, a white-bearded politician who is sponsoring the tournament. “But times change,” Rathore says. That’s why Divya Kakran will be wrestling in Salawa today.

Divya strides forward self-assuredly. She has broad, powerful shoulders, like the dust-coated men in the ring. Her face, despite its baby fat, is framed by black hair cut short at the nape, the way a wrestler’s face must be framed. She has no doubt she belongs here.It is late afternoon when the crowd parts to let the 17-year-old girl through. Her elder brother, Dev, follows with three other girls — Megha, Neena and Geetanjali. They have all made the four-hour journey from Delhi in order to wrestle here. The three shuffle forward cautiously, without a word, as they take in the multitude.

The announcer introduces the girls and the prize money the committee will offer for Divya’s match with Megha: Rs 2,100. The crowd marks the change in tradition with a few good-natured hollers and a couple of less supportive whistles. The announcer then asks how long the fight should last. Between the crowd, the announcer and the
committee, it is decided that the kushti will go on for five minutes. It lasts less than a minute before Divya flips her opponent, pinning both her shoulders to the earth. “Chit!” declares the referee by blasting a whistle in the middle of the ring. He raises Divya’s left arm.

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Times are changing.  We have all been exposed to something new and something terrifying, some more than others.  It takes great courage to stand up for yourself.  It takes even more courage to reach out for help. Read More:  10 Signs to Recognize Trauma What is counseling? Some counselors are

Right now the world seems fascinated by Wonder Woman.  At Sisterhood Agenda, we have been fascinated by her for a long time. The epitome of women’s empowerment, she has been a comic book collection, a television series, a UN Ambassador (before she was unceremoniously fired), and now she is a movie

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Our SHOP has empowerment literature, program materials, and lots of good stuff for you and your sisters!  By buying products from our shop, you can choose to shop for a worthy cause:  sisterhood. Reasons why you should shop from us We know that you choose what to do with your hard-earned

Chaos is surrounding you. Tempers are flaring and everyone is on edge.  They are rushing, losing patience, and generally, not happy.  The world seems to be falling apart.  What do you do?  Here are 10 ways to keep calm and maintain your cool, no matter what. Prioritize safety.  Your safety

Heal yourself, heal the planet You can be an herbal goddess and this book shows you how.  Author Amy Jirsa explains the magical, medicinal, and restorative powers of 12 specific herbs:   calendula, chamomile, cinnamon, dandelion, echinacea, elder, ginger, holy basil, lavender, nettle, rose, and turmeric. Amy goes beyond teas,

Losing weight is a very personal and individual journey. How to Lose Weight Fast & Forever by our Founding President, Angela D. Coleman, is your best guide to help you achieve the results that you are seeking as quickly as possible.  The two excerpts below are about focus, detoxification, and mental health- great

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Hollywood’s Sexiest Underrated Actresses

Emily Blunt is most notably recognized for her role in The Devil Wears Prada. Anybody who has seen that movie knows that she plays the role of a manipulative you-know-what fairly well. She was also in The Young Victoria, The Wolfman and The Adjustment Bureau, but has seemed to drop off the face of the Earth since then. The cause of this might be because she married The Office star John Krasinski back in 2010 and recently had a child with him. Regardless, Emily Blunt has the talent and the looks to get back onto the screen – and she has an English accent, so that’s a bonus.

Whether we want to face it or not, a lot of what it takes to get into the Hollywood scene has a lot to do with what you look like. The face, the body, and the personality all has to be there – but if you have the looks, getting into the industry is going to be a lot easier. Some of today’s hottest actresses, in regards to their demand and appearance, are dominating the movie industry. Just a few of these actresses include Jennifer Lawrence, Scarlett Johansson and Jennifer Aniston. All three of these women came in the top ten for top paid actresses in 2015.

While these women have undeniable talent, they also have undeniable beauty. Outside of seeing their work, a lot of people go see their movies just because they’re in them. Watching two and a half hours of Jennifer Lawrence isn’t exactly torture. Hollywood clearly has its favorite starlets, but there are actually hundreds and hundreds of actresses who should be in the spotlight more often. Not only are they also stunningly beautiful, but they also have talent that more movies and more television shows need to be graced with.

We’ve all seen a movie or two that has a gorgeous mystery girl that’s also been a great actress, but then we never see her in anything else, which is a shame. Hollywood definitely needs to spread the wealth when it comes to doling out roles. Here are 15 of the most gorgeous underrated actresses.

There’s a reason why AnnaLynne McCord made Maxim‘s 2009 list of Hottest Women – she’s gorgeous! She’s only been in a handful of on-screen appearances. She started off in Nip/Tuck, moved onto American Heiress, and then landed herself a huge role in the 2008 series 90210. McCord was only supposed to be a supporting actress in 90210, but by the end of season one, critics were noting her as a series lead. After her success with that show, she was cast in the 2012 film Excision.

is definitely the “girl next door” kind of pretty. Her dark hair makes her bright blue eyes stand out – it’d definitely be hard not to notice her. Bledel is the favorite actress to many twenty-something year old girls because of her role as Rory Gilmore in Gilmore Girls, which is what really kickstarted her career. Since Gilmore Girls, Bledel has been in a handful of television shows and movies. Gilmore Girls fans rejoiced in early 2016 when it was announced that the cast of the popular series is getting back together to shoot an eighth season, which she has signed on to.

Although she’s been in tons of movies and television shows, Rachel McAdams is definitely underrated. It’s almost as if Hollywood forgot about her (which definitely shouldn’t be the case). She skyrocketed into fame with her breakout role as Regina George in Mean Girls and then came back with another hit as Allie in The Notebook (guys, just watch it with your girlfriends – it’s a lot better than you’d think and may earn you points). McAdams has since been in Red Eye, Wedding Crashers, The Vow and tons of other movies. While she’s had plenty of on-screen attention, it’s hard to deny that she is just plain underrated…and incredibly hot.

India’s top 10 women

What is the one thing that drives success? It is courage, determination, passion, being true to yourself or a combination of it all?

These women had what it takes to succeed and be on the top. As we roll out the red carpet for 2017, let’s look at the top 10 women who have made their mark in the world with their success in 2016.

P V Sindhu – P V Sindhu ruled the world of sports this year. From being the first Indian woman to win the Silver medal at the 2016 Olympics, she has shown what it takes to be a champion.

At the 2016 Rio Olympics, she defeated world number 2 Spaniard Carolina Marín and secured us a silver medal.

In 2009, at the age of 13, she won a bronze at the sub-junior Asian Badminton Championships. At the age of 18, she was awarded the Arjuna award for outstanding achievement in National sports.

Sakshi Malik – The Indian freestyle wrestler Sakshi Malik broke stereotypes and did it in style. She is the first Indian female wrestler to win a medal at the Olympics and the fourth woman Olympic medalist in the country.

Sakshi won a bronze medal for India in the 58 kg category at the Rio Olympics 2016 and previously clinched the silver in the Commonwealth games 2014 and bronze at 2015 Asian Wrestling Championship. The 23-year-old began training in wrestling at the age of 12 years in her hometown Mokhra village, Rohtak district in Haryana.

Dipa Karmakar – One of the best surprises this year was Dipa Karmakar, an artistic gymnast and the first Indian female gymnast ever to compete in Olympics and the first Indian gymnast to do so in 52 years. The 23 year old hails from Agartala in Tripura and started practicing gymnastics at the age of six.

At Rio Olympics 2016, she attained fourth position in Women’s Vault Gymnastics. She also happens to be the fifth woman in the world who landed the Produnova, one of the most difficult vaults currently performed in women’s gymnastics.

Nidhi Agarwal of Karyaah says, “Their incredible demonstration of strength and ambition is a new benchmark for the entire country, not just women. Given their example, now more than ever, I have faith that much can be achieved on the back of persistence.”

Indra Nooyi ‑ Indian-American PepsiCo CEO and Chairperson, Indra Nooyi made it to the Fortune’s most powerful women in the world list. Ranked second on the list, she leads a company that has more than $63 billion in annual net revenue, and more than $35 billion in the US alone. PepsiCo is the largest US food and beverage company with about 110,000 employees and 100 plants across the country.

During the general election, Indra was a known supporter of Trump’s Democratic rival Hillary Clinton but recently joined Donald Trump’s Strategic and Policy Forum, which will assist the president-elect in implementing his economic agenda. Chennai-born Indra, 61, is the only Indian-American executive in the 19-member Strategic and Policy Forum.

Priyanka Chopra – Priyanka Chopra leads the way in debunking stereotypical moulds that define gender roles.

When she was crowned Miss World at the age of 18, who knew she was truly going to conquer the world. The Bollywood star has become the face of India after she accepted projects in the US. She is now making waves in the Hollywood TV series Quantico, where she plays an FBI and subsequently a CIA officer. While working on her ‘foreign assignments’ she has her feet firmly planted in India. As a producer, her debut Marathi film was launched this year. With her Purple Pebble Pictures, Priyanka also has a Bhojpuri and Punjabi movie in the pipeline.

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Most Sexy And Beautiful Women India Cinema's

The Indian Cinema owes a deep debt of gratitude to the Baghdadi Jewish community for its women among all the communities in India were the first to act in films, at a great risk to their reputation, at a time when the participation of women in performing arts was a taboo. During the silent era, most of India’s film stars were Jewish. But they, except a few, could not continue with their successful careers, once the talkies were introduced as they were incapable of delivering dialogues in Hindi because of their Anglicized upbringing.

In this photo-essay, first published on Café Dissensus in December 2014 under the title “Indian Jews in Cinema”, Kenneth X. Robbins draws our attention to the Jewish contributions to Indian cinema. It has been reproduced in full with the permission of the Editors at Café Dissensus.

The great actress Sulochana was recently commemorated on an Indian stamp. Since a number of Indian Jews performed and worked in the movie industry, I have decided to follow up the recently published Jews and the Indian National Art Project and Western Jews in India with a volume dealing with this subject. The illustrations are from my ever-growing archival collection.

This article is written to encourage people to email me at rajanawab@comcast.net with information, ideas, documents, and movie memorabilia. As with the previous two volumes, the conclusions will surely emerge after the work is collated.

The study of Jewish artists, art scholars, art critics, and architects in South Asia had confirmed the words of Hermann Goetz: “Part of the most representative artists of every nation prove to be foreigners or semi-foreigners, or at least people with very strong family or cultural links with other countries”. Many of the Jews involved in the Indian art world were Western Jews, but almost no non-Indian Jews played prominent roles in the Indian movie industry. Art can be seen without recognizing his image, but an actor must be seen in a film and must be convincing as an Indian.

The actors were mostly Baghdadi Jewish women and the rest were from the Bene Israel community, not the Cochini community. That community was small, did not speak Hindi or Urdu, and lived far from the film making cities of Bombay and Calcutta. A single Baghdadi family contributed greatly to Indian films, by giving us the actress-producer Pramila (Esther Victoria Abraham), her sister the actress Romila (Sophie Abraham), and her cousin the starlet Rose (Rose Musleah). Pramila’s son Haider Ali is an actor, who is best known as the co-writer of the blockbuster film Jodhaa Akbar.

Baghdadi Jewish actresses were known by single Western names (Lillian, Rose), Hindu names (Arati Devi, Pramila, Sulochana) or Muslim names (Firoza Begum, Nadira) rather than the ones identifying them as Jews. Lillian’s birth name was Lillian Ezra.

In India, the Bene Israel often referred to themselves in two ways. They used one or two “Biblical” names or “Biblical” names followed by a “Maharashtrian” surname identifying their ancestral Konkani village. In the movies, they were billed as David or David Abraham rather than David Abraham Cheulkar or Joseph David rather than Joseph David Penkar.

Simply identifying Jews has not been easy. Asha Bhende (once Lily Ezekiel) and Pearl Padamsee (whose mother was a Baghdadi Jew) are actresses who have used the last names of their non-Jewish husbands. Asha Bhende was also a prominent academic, whose works include Demographic and Socio Economic Characteristics of Jews in India.

Actresses like Zeenat Amat and Helen were not Jewish as some think. The backgrounds of Azurie, Leela Chitnis, Patience Cooper, Ermeline, Rinku Jaiswal, Kitty Kelly, Kamlesh Kumari, and Sabita Devi are contested even today and I seek more information about them. Was Vimala, whose birth name was Marcia Solomon and who is never mentioned in the discourse on Jewish actresses, Jewish?

The image from a movie of a Jewish women dancing before Arab Muslims? The actress Helen was not Jewish.

Is this just a lack of information or does it relate to what Priti Ramamurthy called the “interracial origins, and fluid minority religious affiliations” of Anglo-Indian and Baghdadi actresses”? As small minority groups, Diaspora Jews have had to deal with ever-changing political currents and life experiences beyond their own communities. Therefore, it is not surprising to find Jewish actresses in parts dealing with the redefinition of gender roles in a modernizing India dealing with colonial hegemony and the need to integrate many very diverse communities into an emerging national narrative.

On the Indian stage, female parts were acted by men and no respectable woman was seen. As Ramamurthy put it, “racial differentiation was both the condition for women to enter a disreputable profession and the condition for reworking it.” In some cases, Anglo-Indian and Baghdadi Jewish actresses may have been favored for their lighter skin tones.